Photo Collage from Original Book Covers by Peace Onafuye / THE REPUBLIC.
the REPUBLIC INTERVIEWS / FIRST DRAFT
Writers and the Books They Grew up Reading
Photo Collage from Original Book Covers by Peace Onafuye / THE REPUBLIC
the REPUBLIC INTERVIEWS / FIRST DRAFT
Writers and the Books They Grew up Reading
It has become a trademark to hear writers say they were first readers before becoming writers. Most were early readers; it is rare to find a writer who did not obsess over books as a child. In fact, some have said they started reading as early as at age four. For many, this obsession stems from rabid curiosity, which has many benefits for them. We are aware of the expanded knowledge reading provides. But it also nurtures their imaginations in ways that become crucial as they embark on their writing journeys—especially if they are creative writers. In other words, writers are largely shaped by the kinds of books they grew up reading.
For this reason, in our First Draft column at The Republic, we are curious about the books foremost writers, editors, academics and creatives read while growing up. And we are always excited to share their responses with fellow book lovers. The authors do more than draw up a list of books they read as children; they give insights into the political, economic, and personal circumstances that shaped their various reading experiences. For instance, for academic Fareda Banda, who grew up in Zimbabwe during the country’s liberation struggle, heavy sanctions meant a limited supply of books. So, like others in her generations, she was only exposed to Enid Blyton novels as well as Mills and Boon and Barbara Cartland’s novels. Romance novelist, Lara T. Kareem, shared a moving personal story that explains her obsession with the ‘magical world of fiction’.
Here are seven writers and the books they grew up reading.
MUMBI KANYOGO
Growing up, I had a lot of questions about Kenya’s history and was deeply interested in the stories of the people whose lives we commemorated on days like Labour Day and Jamhuri Day. In response to those questions, I read a series of short, easy to read biographies of critical historical personalities (and radicals) like Bildad Kaggia, Tom Mboya, Mekatilili and Wangu wa Makeri by East African Educational Publishers. This series reinforced and grew my interest in people’s lives and historical political events and in turn, biography became one of my favourite genres. I recall reading biographies and autobiographies about Martin Luther King, Malcolm X, Robert Mugabe, Hilary Clinton, Barack Obama and the stories of survivors of the genocide against the Tutsi in Rwanda.
My reading practice was also shaped by my family who I spent most of my time with as a child—I was always curious about what they were reading. So, I was forever looking forward to the next Sweet Valley High novel or Super Strikers comic that I could get my hands on. I also recall a Danielle Steel phase in my early teen years that started because my cucu (grandmother) and oldest cousin had a shared growing collection of Nora Roberts and Danielle Steel novels that I repeatedly begged to have access to. Read Kanyogò’s full interview here.
HELON HABILA
I read widely growing up, out of necessity. I read what books I could lay my hands on, mostly books left lying around by my older brothers, commercial novels mostly, and the occasional classics like Chinua Achebe’s Things Fall Apart. But before I started reading books in English, I was reading story books in the Hausa language, mostly historical fiction, adventure stories in the magical realist vein. I must have also read the Bible from cover to cover because of the interesting stories. I think this eclecticism in reading material and also reading in more than one language helped me develop an early appreciation for language in general; and the diversity of formal approach in the storytelling itself made me understand early that there is no one way of telling a story, that the most important thing for an author is to make his or her story as interesting as possible. Read Habila’s full interview here.
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LARA T. KAREEM
I fell in love with reading when I was nine. You see, I was involved in a car accident that left me with a fractured ankle. About 60 per cent of my left leg was in a cast and I was crutches-bound for months. You can pretty much imagine how miserable it was for a pre-teen who loved running around to no longer be able to do that. The librarian felt sorry for my idle self and took me under his wings. I ended up spending all my free time surrounded by thousands of books and gradually, I got engrossed in the magical world of fiction. It started with Rainbow Magic Book Series by Daisy Meadow, books by Enid Blyton, all sorts of Goosebumps by R.L. Stine, the Percy Jackson series, lots of Jacqueline Wilson, Roald Dahl, and Archie Comics. The types of books I read changed as I aged, and it didn’t hurt that my parents would buy me any book I requested and more. So, the simple answer is I grew up reading works of fiction from the western world. Read Kareem’s full interview here.
SARAH LADIPO MANYIKA
Thanks to my mum, I read many Puffin classics. I loved the miniature Beatrix Potter books, Richard Adam’s Watership Down, and tales of Brer Rabbit. As a child, I was a voracious reader, of books and of people, and still am an inveterate eavesdropper and people-watcher. Snippets of overheard conversations and the faces of people not usually noticed often inspire the stories I write. Wondering about other people’s life stories is what I do. Read Manyika’s full interview here.
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FAREDA BANDA
I grew up during the Zimbabwean liberation struggle. The country was under sanctions and books were in short supply. For many of my generation, our only exposure was to Enid Blyton whose Malory Towers Series about a girls’ boarding school, I devoured. Mine was the generation of sagas—Lace, Thorn Birds, as well as Mills and Boon novels and, whisper it, Barbara Cartland’s novels. Read Banda’s full interview here.
LEILA ABOULELA
I attended an American elementary school in Khartoum, so I grew up reading American books from its library. These books include Little House on the Prairie by Laura Ingalls Wilder, Little Women by Louisa May Alcott, Harriet the Spy by Louise Fitzhugh, and A Wrinkle in Time by Madeleine L’Engle. The first adult books I read were Daphne du Maurier’s novels titled Jamaica Inn and Rebecca. In my teens I started to read more seriously and widely. The books I read during this time were the Russian classics, and works of Naguib Mahfouz, Tayeb Salih, and Nawal El Saadawi. Read Aboulela’s full interview here.
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CHIMEKA GARRICKS
I read everything as a child. Although my parents were civil servants who didn’t have much, we were rich in books. So, they gradually bought and built me a library. It had some Enid Blyton; and classics such as Chike and the River; The Passport of Mallam Ilia; children’s versions of The Adventures of Tom Sawyer, Treasure Island, The Three Musketeers, The Count of Monte Cristo. As I grew older, my mother added books from the Pacesetters series (thank you and Rest in Peace, Victor Thorpe) and the African Writers Series. My favourites included Cyprian Ekwensi’s Burning Grass, Elechi Amadi’s The Concubine, Alex La Guma’s A Walk in the Night and other Stories, and Nkem Nwankwo’s Danda.
My parents also had interesting personal libraries. From my father’s library, I remember browsing through volumes of Encyclopaedia Britannica, Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes, abridged versions of the Iliad and The Odyssey, and the Qur’an (which at the time, was a fascinating book for a Seventh Day Adventist to own). My mother had a volume on Achebe, abridged versions of Shakespeare and Jane Austen, and an intriguing biography of Oscar Wilde.
Then there were comics. My parents didn’t buy them for me, but some newspapers had daily comic strips (‘Garth’ in The Daily Times, ‘Terror Muda’ and ‘Kaptain Afrika’ in The Vanguard). And there were the Marvel and DC comics shared between classmates in school. Read Garricks’ full interview here⎈