Each time author of ‘A Woman among Women’, Saratu Abiola, writes, her truth is at stake. Hence, she writes, ‘to learn what I know and what I don’t, organizing my thoughts in as intellectually honest a way that I can so that I come away from it with more clarity than when I started.’
What fascinates author and linguist, Kọ́lá Túbọ̀sún, about language is its ‘resilience despite human attitude’; its ability to ‘find its way, though not always in the directions we want.’
Chemical Engineer and author of ‘Democracy Questioned: How Democracy Can Fail Us, and What to do About It’, writes and edits ‘in chunks’, finding before editing ‘the golden mean sweet spot where I write an ‘idea’ or a standalone chunk of the article’.
Essayist and author of ‘Long Live the Children of Disobedience’ and ‘The Prophetic Vision of Chinua Achebe’, Joshua Segun-Lean, edits as he writes, ‘feeling for a sense and a sound I might never arrive at but must keep tuning for.’
If she could write about any moment in history, historian and author of ‘Reading Biafra’, Dominique Otigbah, would write a history of stockfish, ‘a quintessential Nigerian ingredient with its origins in Northern Norway.’
Political theorist and author of ‘Are Nigerians Black Enough to Talk about Race?’, Ẹniọlá Ànúolúwapọ́ Ṣóyẹmí’s writing ‘almost always starts from a place of unreasonable obsessiveness.’
Essayist and author of ‘Zata Iya: A History of Hausa Feminist Writings’, Sada Malumfashi, has always wondered ‘how different and more diverse the stories of the first-generation Hausa novels would have been if women also participated in the writing process.’
Essayist and author of ‘From Glamour Girls to Nolly Babes: Nollywood Nostalgia and the Modern Nigerian Woman, Merlin Uwalaka, finds it ridiculous that there are Nigerians who are proud to say that they do not watch Nigerian movies.
Author and speechwriter for the Vice President of Nigeria, Ore Ogunbiyi, thinks everyone should read Emmanuel C. Eze’s Race and the Enlightenment: A Reader before leaving university.
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