‘I Don’t Write Without Looking Back’ Wardah Abbas’ First Draft

Lawyer, writer and author of ‘Muslim Feminism is Here to Stay’, Wardah Abbas’ writing process is not linear. ‘It comes with my mood and whatever emotion I feel at the moment goes into my work... I also do not follow any writing rules.’

Our questions are italicized. 

What books or kinds of books did you read growing up?

I inherited the tradition of reading from my father who himself is a journalist and an avid reader. Growing up, I was always drawn to his library, scanning through the countless rows and columns of books that sat gracefully on his brown ornate bookshelves.

My mother also instilled in me the tradition of reading. Occasionally, she would buy us storybooks, the covers of which were as colourful as the chocolate wraps that accompanied them. In the pages of those books, I found myself either flying on Aladdin’s magical carpets or wearing the emperor’s new clothes, wanting to be there every time I read them again. I read Alice in Wonderland, Cinderella, Puss in Boots and Wizard of Oz. My elder sister introduced me to Kola Onadipe’s Koku Baboni and Sugar Girl as well as Enid Blyton’s Famous Five series.

By the age of 12, it became tradition to visit the bookstore with my father who invested in lots of African literature. I read Kola Onadipe’s The Boy Slave, Cyprian Ekwensi’s Beautiful Feathers, Ken Saro-Wiwa’s A Forest of Flowers, Chukwuemeka Ike’s The Bottled Leopard, Elechi Amadi’s The Concubine, Ola Rotimi’s The Gods Are Not to Blame, Chinua Achebe’s Things Fall Apart and Arrow of God amongst others. I also found a collection of English classics like Robert Louis Stevenson’s Treasure Island, Wilkie Collins’ The Woman in White, Charles Dickens’ Oliver Twist and Jane Austen’s Emma. My father had an archive of newspapers—The Vanguard, Tribune, The Guardian and many others, which were more than enough for me to read. I read dictionaries and thesauruses, learning new words and putting them to use in the weekly essays my father encouraged me to write.

All these were books I either found on my fathers’ bookshelves or the ones he bought for me. When I was in Senior Secondary School, I would save my pocket money to buy books written by a variety of American authors—all the rave at that time among my friends. I bought and read books written by Stephen King, Nora Roberts, Sidney Sheldon, Danielle Steele, John Grisham and a host of others. As part of the WASSCE curriculum in school, I read Shakespeare’s Hamlet and Romeo and Juliet, Richard Wright’s Black Boy, Athol Fugard’s Sizwe Bansi Is Dead, Ola Rotimi’s Our Husband Has Gone Mad Again and Buchi Emecheta’s The Joys of Motherhood.

I had a rich literary upbringing. Realizing that I wasn’t mature enough to understand some of the messages in those books while growing up, I’ve gotten back to reading most of them over again. And today, I would rather curl up with a good book than watch most of the drivel that pass for entertainment on the TV these days!

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