Photo Collage from Original Book Covers by Peace Onafuye / THE REPUBLIC.
the REPUBLIC INTERVIEWS / FIRST DRAFT
The Most Compelling Characters Writers Have Encountered in Books
Photo Collage from Original Book Covers by Peace Onafuye / THE REPUBLIC.
the REPUBLIC INTERVIEWS / FIRST DRAFT
Reading a good story is one thing; feeling as though its characters are real, living, breathing beings is another. Every writer knows how challenging it is to create a character who jumps right out of the page and feels like a real-life friend to the reader. Yet, every reader eagerly seeks the joy of encountering such a character. I, for one, will never forget how real the artist, Masuji Ono, in Kazuo Ishiguro’s An Artist of the Floating World felt to me the first time I read the book. Or how Toni Morrison’s Bill Cosey both fascinated and irritated me. Without compelling characters, even the greatest stories risk falling lost into the dark crevices of literary history.
In our First Draft column at The Republic, we ask leading African writers about the most compelling characters they have encountered in books. We have discovered various attributes that make characters truly compelling. From the Kenyan author who will never forget a feminist character on a revenge mission to the Nigerian author fascinated by the teenage protagonist of a young adult novel, these writers show that compelling characters are the heart of memorable stories.
Here are seven writers and the most compelling characters they have ever encountered.
AYESHA HARRUNA ATTA
The protagonist of Broken Glass by Alain Mabanckou. A former schoolteacher, he is irreverent, constantly drunk, and is supposed to be chronicling the lives of frequenters of a seedy bar called Credit Gone West. He gets very creative about their lives! Read Attah’s full interview here.
OSIONE OSENI-ELAMAH
Kingsley Ibe from Adaobi Tricia Nwaubani’s I Do Not Come to You by Chance is one of the most compelling characters I’ve encountered. He is a brilliant young man thrust into the role of family breadwinner after his father’s illness and death. Despite his intelligence and degree in chemical engineering, Kingsley’s life takes a turn when he becomes involved in online scams after successive failures to secure a good-paying job. His story reflects the difficult choices many Nigerians face—between living in poverty or resorting to illicit means. While I don’t agree with his decisions, the character’s complexity and his moral dilemmas make him memorable. Read Elamah’s full interview here.
TOBI EYINADE
This question is unfair to my frail human memory that is combining adulting with other pressing demands on my time. So, I will filter the range of books I’ll be considering to more contemporary fiction that I have read in recent times. I will never forget Ifemelu from Chimamanda Ngozi Adichie’s Americanah. I feel like I managed to live out the wild, untethered version of myself through her.
How Adunni in Abi Daré’s The Girl with a Louding Voice and And So I Roar managed to leave a lasting impression on me still beats my imagination. Unlike Ifemelu, it wasn’t love at first read. At first, I found Adunni appalling and unrepresentative of the average Nigerian girl I grew up to know. However, she grew on me. She is all-consuming in her mannerism, wit, innocuous but daring attributes. Adunni’s profound quotes in her ‘The Very Important Small Book of Life’s Little Wisdoms’ left an indelible mark on me in the most unexpected fashion. Read Eyinade’s full interview here.
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CANDICE ILOH
Julia of I Am Not Your Perfect Mexican Daughter by Erika Sánchez is one of the most entertaining YA protagonists I’ve ever read. She was irreverent, hilarious, and crass. I love seeing teenagers portrayed as they really are in stories. Not as adults perceive them or want them to be, but who they really are when they’re with their close friends and by themselves. Julia was a great illustration of what that can look like. Read Iloh’s full interview here.
DENNIS MUGAA
Without a doubt, the answer is Kazija. She is a character in Said A. Mohamed’s Utengano, a Swahili book we were required to read in high school. The first sentences of the book are as follows: ‘Kuna mengi ambayo Kazija anachukia. Ndiyo anachukia. . . Kwanza, anamchukia mwanamme. Anamchukia mwanamme kwa sababu dhahiri, nayo ni kuwa amewekwa mbele, ingawa Kazija hajui na nani. Daima atamchukia mwanamme kwa sababu hiyo.’ Loosely translated into English, it means: ‘There are many things that Kazija hates. Yes, hates. . . The first is that she hates men. She hates men because they have always been put first, even though Kazija does not know by whom. She will always hate men because of that.’
In the opening scene, Kazija has hatched a plan to ensure that a young man, Musa, and his father, Bwana Maksuudi, meet at her place, in order to enact her revenge on Bwana Maksuudi. This is because Bwana Maksuudi married Kazija’s friend’s daughter and then divorced her, leading to the girl’s death. She is seeing both men, but the two men are unaware of this. Musa arrives at her house first, and when Bwana Maksuudi arrives, she hides Musa under her bed. However, Bwana Maksuudi eventually finds Musa, and this leads to the downfall of his family. I am oversimplifying the subsequent plot, as it has been years since I read that book, but I always remember Kazija seething with anger, determined to revenge her friend’s daughter. And those first lines, how seething they were! Kazija is not a main character, but in the few instances we get to read of her, we glimpse her entire personality fully. I have never forgotten Kazija. Read Mugaa’s full interview here.
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OTOSIRIEZE OBI-YOUNG
I will go with a historical figure and say Chukwuma Kaduna Nzeogwu. It was around ten years ago that I read President Olusegun Obasanjo’s 1987 biography of him. The book is titled Nzeogwu, and it puts layers of humanity on him. It read to me like a dear friend holding back on certain personal details, and I had my thoughts on what those details were, which made him even more intriguing. Read Obi-Young full interview here.
CHIOMA OKEREKE
This is a seriously tough question as I have encountered so many incredible characters across four decades of reading. One character that has stayed with me is Xuela Claudette Richardson, the narrator in The Autobiography of My Mother by Jamaica Kincaid, one of my favourite authors. The novel follows Xuela from childhood to old age, as she navigates a life marked by the profound loss of her mother who died during childbirth. It captures that poignant sense of longing alongside her journey of self-determination. Kincaid’s writing is equal parts lyrical and simple, but always deeply evocative. She captures the pain of abandonment masterfully, as Xuela asserts her autonomy in an unyielding world with a fierce resilience. Read Okereke’s full interview here⎈
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