Culture & Society

DK Nnuro

‘I Had to Treat My Debut Novel Like a Job’ DK Nnuro’s First Draft

Ghanaian novelist and author of What Napoleon Could Not Do, DK Nnuro, says his debut novel was inspired by his experiences: ‘Since relocating to the US from Ghana, I have had one foot firmly placed among Black immigrants—Ghanaian immigrants, specifically—and another among Black Americans. It was natural that I would explore the tensions between the two in a novel.’
Michael Afenfia

‘I Felt Compelled to Share What the Japa Experience Can Look Like’ Michael Afenfia’s First Draft

Nigerian novelist and author of Leave My Bones In Saskatoon, Michael Afenfia, says his latest novel on immigration was inspired by his experience and that of a few family members and friends: ‘I felt compelled to share what the japa experience can look like, particularly because not many people are comfortable talking about what the reality is versus what it is made out to be.’
Fareda Banda

‘I Wanted to See if I Could Pull Off Writing an Interdisciplinary Book’ Fareda Banda’s First Draft

Zimbabwean academic and author of African Migration, Human Rights and Literature, Fareda Banda, wanted her book to explore the refugee/migration issue from the perspective of one whose people were being dehumanized: ‘I was also curious about whether literature could reach places or invoke emotions such as empathy, that law and policy did not seem to be doing.’
Ijedike Jeboma

‘My Favourite Books Are Those That Tackle Powerful Subjects With Elegant Prose’ Ijedike Jeboma’s First Draft

Nigerian writer and author of ‘Identity Formation in Buchi Emecheta’s Kehinde’ Ijedike Jeboma, decided to read all of Emecheta’s works and noticed a shift in her 1994 novel, Kehinde: ‘Emecheta’s legacy is often discussed in terms of the womanism-feminism divide, and I thought Kehinde marked a shift in her oeuvre that I hadn’t seen much commentary about, so I wrote it myself.’