Asmae El Moudir’s docudrama, The Mother of All Lies, passes this social message: protest isn’t solely the physical act of raising placards and fists. Protest, as the film relentlessly shows, can be as trivial as remembering and talking about one’s pain when the state is actively trying to suppress the existence of that pain.
A revanchist Russia, viewing North Africa as a gateway to expanded influence, has started positioning itself as a non-Western alternative for African states. Read more.
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