In Nigeria’s evolving world of comedy, gauche exaggeration and unearned familiarity are often the defining marks of this generation of comedians, and for better or worse Nigerian comedy has to tell jokes that actually make its audience laugh.
The hoisting of Russian flags in Nigeria during recent protests suggests how President Tinubu’s ECOWAS foreign policy gambles might have triggered pro-Russian sentiments in Nigeria.
In his debut poetry collection, Adam, the late Gboyega Odubanjo resists simply recounting the tragic plight of his subject, ‘Adam’, who is inspired by the unidentified Black boy whose torso was discovered in the River Thames in 2001.
Nigerian novelist and author of The Girl with the Louding Voice, Abi Daré, reveals that writing her latest novel, And So I Roar, demanded a different approach: ‘This time, I allowed myself to embrace the unknown and let ideas simmer between drafts. It was a journey of letting go of immediate expectations and growing comfortable with exploration.’
Fuelled by the pursuit of personal growth, career success and better living standards, more Nigerians are turning to citizenship by investment as their ticket to stronger passports and a world of new opportunities.
Our latest issue, Reimagining Nigerian Heritage, celebrates and ruminates on the unknown and underdiscussed aspects of what it means to be Nigerian today.
Ahead of the official, public launch of the Museum of West African Art (MOWAA) in Benin City, Edo state, set for 2025, MOWAA director Ore Disu discusses her vision for Africa’s most ambitious cultural institution yet.
Nigerian pop icon Onyeka Onwenu died earlier this year. With an iridescent career spanning decades, Onwenu’s knowledge of Nigeria’s failings ran as deep as her capacity to imagine and believe in a better Nigeria.
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