2023 has been an interesting year for African literature. As we continue to dive into works that explore the African and Black experience, here are our favourite books of 2023.
Nigeria’s non-invitation to join BRICS membership following invitations sent to Argentina, Egypt, Ethiopia, Iran, Saudi Arabia and the United Arab Emirates reflects the country’s unimpressive foreign policy.
Underlying the logic of war and conflict that proliferates global narratives on the Israeli state’s ongoing onslaught in Gaza and the Occupied West Bank, is a subtly communicated victimhood conferred to the settler colonial state. Much like South African racialized victims resisting and 'transitioning’ from a white-minority apartheid state, Palestinians find themselves subjected to a displaced empathy that delegitimizes their victimhood and liberationist efforts through the language of conflict and ‘terrorism’.
Image Impressions, an exhibition of photographs, paintings, and collages curated by Faridah Folawiyo, aims to trace Nigeria’s visual history and embrace the multitudinous aspects of the country’s reality.
Afrobeats has come of age. Our latest issue, The Age of Afrobeats, invites audiences into the lesser known histories and cultural impacts of some of their favourite Afrobeats musicians.
Aṣa released her eponymous debut album in 2007 and has been a favourite of many Nigerians ever since, with fans across generations. Her most enduring feature has been the singularity, not only of her music, but also of the ways in which she has always held herself apart, even when the spotlight was at its brightest.
YBNL Records latest signee, Asake, has proven to be a sure bet and Afrobeats fastest rising superstar. In less than two years, he has released two outstanding albums, sold out London’s O2 Arena and earned a Grammy Award nomination. Yet he shows no signs of slowing down.
Emerging into the African pop scene two years ago, Ayra Starr’s immersive records have won her the adulation of a constantly expanding fanbase. She is now embracing a wholesome experience of what it means to be a pop star in this age, branding and all things considered.
Burna Boy’s discography and lived attitude to Nigerian audiences presents a local-global dialectic. His irreverence towards local fans and the narcissism that pervades his latest musical offering, I Told Them, are suggestive of a growing individualistic ethos within the Afrobeats collective.
The trope of grass to grace is not Davido-esque. Instead, Davido’s run so far has been from grace to grace. His interluding humbling moments cater in part to his resilient spirit, his persistence in the face of multiple adversities, and his eventual solid status in the arena of African creatives, and hordes of them, each one striving to assert their voice in Africa, America, Asia, and Europe.
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